- David White David is an artist and curator that uses art historical conventions as a method for engaging
individuals and groups of various backgrounds. He is also the founder of the Agitprop space, which functions as a re-imagining
of the form of the gallery as a site of long term engagement with a particular locality by blurring the lines between the Studio,
the Gallery and the Neighborhood itself.
- Megan Willis Megan is a designer and educator whose work lies at the intersection of architecture, art and
urban intervention. Megan's work addresses tactics of urban reclamation in the city's leftover, residual and transitional spaces.
These tactics address issues of public engagement, activation and spatial appropriation to encourage the public to reimagine,
reconsider and reengage their urban contexts. She is currently working on documenting creatively adaptive uses of residual spaces
and how local agents have creatively repurposed those sites.
- Stephanie Lie Stephanie is a multimedia artist whose work oscillates between new technologies and traditional Asian
aesthetics to produce objects and performances of spare elegance. These objects and performances expand to produce social
interactions of subtle instigations surrounding questions of mechanic production and human subjectivity.
- Jessica Sledge Jessica Sledge utilizes drawing, sculpture, photography, film, and performance to
explore the aural, visual, and kinetic potential of space and the mnemonic potential of objects for public
and private ritual. She investigates and blurs these definitions through public interventions that invite
viewers to share in these ceremonial possibilities.
- Micki Davis Micki's work explores circumstances of cultural reclamation within the Chamorro community
in southern California and Guam. As a multimedia artist and educator she has produced several videos,
performances and sculptures as part of installations within the gallery and beyond, experimenting with
and expanding the notion of artistic collaboration.
- Elizabeth Chaney Elizabeth's performances, workshops, publications, and installations emerge from a
practice that combines research, activism and pedagogy towards facilitating moments where structural
conditions behind contemporary patterns of "use" may be translated/transgressed/transcended.